IP: Why Zimbabwean creatives urgently need a numbered value on their greatest asset
Intellectual property, these are the often intangible assets that result from the expression…
Album Review: Gweta Rine Gwenya by Nyasha David
In the Zimbabwean music industry, Nyasha David is a name that has become…
Album Review: Ndisiyeyi by Feli Nandi
Afro-fusion as it relates to southern Africa is a genre that has combined…
If Tarrifs Are An Opportunity for AfCTA, Why Is It Taking So Long? – South Africa’s Reality Check
Standing here in Cape Town, with Table Mountain as our backdrop, the Africa…
Diaries of a Gen-Z(imbwabwean) babe: Trying to find the point (and losing it in public)
It comes a time in everyone’s life (I guess) where one is confronted…
Some $exy $ongs 4 U: A Review
Some $exy $ongs 4 U, the long awaited and anticipated project resulting from…
Braggacy: Nadia Nakai’s emotionally charged sophomore album deftly explores love and loss
South African rapper Nadia Nakai recently released her sophomore album Braggacy, a poignant…
Album Review: Misunderstood by Julian King
While he may have risen to the spotlight in recent years, Julian King…
A thought on Mac Miller’s Balloonerism
Mac Miller’s Ballonerism is post-humous bliss. The project is carefully put together and…
Album Review: Winky D says Pabho with his latest EP
From around the time he released Happy Again, it has felt like we’re…