If there is one producer in the African house space who defines the word “versatility,” it would be Dlala Thukzin. Raised by gqom, then propelled to stardom by 3-step, with an embrace of Afro tech and Afro house along the way, Thukzin has established himself as a hitmaker of note.
As far back as the beginning of the decade, he has had chart topping releases that have not only defined South African music but African music as a whole. Dlala Thukzin’s adlib has become one of the most iconic in house music.
The producer’s rapid rise has been both the work of a rapidly evolving sound and an undeniable work ethic. Mayvis arrived as the producer’s 8th album, his 5th project in just the last 3 years. The album title is a dedication to his late grandmother, the woman that raised him.
Thukzin eulogises her on the solemn opener that doubles as the album’s title track. Dominated by piano keys and the violin, “Mayvis” is a call to remember that exudes with the sadness of loss. A solitary poignant moment before the producer’s signature bounce and ear shattering claps takeover.
Mayvis is a celebration of 3-step house that wades into gqom, amapiano, and Afro-tech in some moments. The project presents the Thukzin we’ve come to know and love but with an added texture to his hypnotic grooves.
“Asilali” sees him return to the Thukzin sound from before 2023’s Permanent Music 3, a time when it was just synth that dominated his music. It has progressive house influences and a clap heavy build up of tension that’s infectious. This can be equally said of “Moja,” Thukzin’s chant driven collaboration with MK Productions and Zeh McGeba.
Mayvis balances intensity on production driven tracks with a hint of soulfulness on songs that put vocals on the fore. The latter having a smaller presence but just enough for a great listening experience.
“Mali 2.0” sees the producer re-imagining his hit song with Zee Nxumalo and it samples his 2021 hit “Phuze,” while giving it a 3-step update. The collective inspirations married together with great execution. Disrupting the ear shattering and progressive build ups, the beautifully sung (by Nkosazana Daughter) “Ubuhle” is underlied by well blended instrument selections. This is mirrored by near perfectly composed “Indaba,” that is adorned with the vocal gifts of Thukuthela and Sykes.
Mayvis is a reflection of Thukzin’s journey that easily captures the brilliance he’s shown on projects like Permanent Music 3, Finally Famous Too, and 031 Studio Camp 2.0. It embodies the sound at the forefront of 3-step house and showcases a producer adept at what he does.
House rating: 8.3/10
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