In January 2025, USAID dropped a bombshell: a temporary pause on foreign assistance funding. This wasn’t just a little hiccup—it was part of a bigger shift in U.S. foreign policy, and it’s left a lot of Civil Society Organisations (CSOs) in Zimbabwe (and beyond) in a tight spot. Programs are being scaled back, some organizations are shutting down, and everyone’s trying to figure out how to keep the lights on.
But here’s the kicker: a lot of artists and creative projects are funded through these CSOs. Whether it’s arts festivals, community workshops, or social justice projects that use art to drive change, many artists rely on this funding to make their work happen. And now? That funding is on shaky ground. What does this funding pause mean for artists, and how can you navigate this new reality?
Side note; this article is informed by a recent report from the National Association of Non-Governmental Organisations (NANGO), which convened a webinar on 6 February 2025 under the theme: ‘Implications of the USAID Foreign Assistance Funding Pause.’ The webinar brought together CSOs, sector experts, and stakeholders to assess the impact of the funding freeze, Stop Work Orders, and related Executive Orders on the NGO sector. The goal? To understand the scope of the crisis, explore its far-reaching consequences, and chart pathways for resilience amid funding uncertainties.
While the focus was on CSOs, the implications stretch far beyond—especially for artists who rely on these organizations for funding, platforms, and collaborations. So, let’s break it down.
How This Affects Artists
Let’s get real—this funding pause isn’t just a bureaucratic headache. It’s a direct hit to the creative ecosystem. Here’s how it’s playing out:
- Bye-Bye, Grants
If you’re an artist who’s ever applied for a grant or worked on a CSO-funded project, you know how crucial that money is. Whether it’s for a mural project, a theatre production, or a photography exhibition, that funding keeps the creative wheels turning. But with CSOs losing USAID support, those grants are drying up fast. - Fewer Platforms, Fewer Opportunities
CSOs often provide platforms for artists to showcase their work—think exhibitions, performances, and festivals. But with budgets shrinking, these opportunities are disappearing. For artists, that means fewer chances to connect with audiences, build your brand, and get your work out there. - Collaborations on Hold
Many artists collaborate with CSOs on projects that tackle big issues like gender equality, human rights, or climate change. These projects aren’t just creatively fulfilling—they’re often a source of income. But with funding cuts, these collaborations are at risk. That means fewer projects, fewer paychecks, and a lot of uncertainty. - The Mental Toll
Let’s not sugarcoat it—this funding pause is stressful. For artists who rely on CSO-funded projects to make a living, the uncertainty can be overwhelming. The constant worry about where the next paycheck will come from can take a toll on your mental health and creativity.
But Wait, It’s Not All Doom and Gloom
Okay, deep breath. Yes, the situation is tough, but it’s not hopeless. The funding pause is also a wake-up call for artists to (continue to) think outside the box and explore new ways to sustain their work. Here are a few ideas to get you started:
- Diversify Your Funding
Relying on one source of funding is risky—just ask the CSOs. Start exploring other options, like crowdfunding, private sector partnerships, or even social enterprises. Think about how you can monetize your art in new ways, whether it’s through merchandise, online workshops, or collaborations with brands. - Build Your Network
Now’s the time to connect with other artists, organizations, and potential funders. Join regional networks, attend virtual events, and get involved in advocacy efforts. The stronger your network, the more opportunities you’ll have to find support. - Tap Into Local Resources
The NANGO report highlights local philanthropy and domestic resource mobilization as potential alternatives. While these might not be as established as international funding, they’re worth exploring. Look for local businesses, foundations, or government programs that support the arts. - Advocate for the Arts
Let’s face it—arts funding often gets sidelined in favour of “more critical” sectors like health and education. But art is powerful. It drives social change, builds communities, and tells our stories. Use your voice to advocate for the value of art and culture in development. The more we talk about it, the harder it is to ignore.
It’s Also Time to Remind the Government to Play Its Role
Here’s something we can’t overlook: the government needs to step up. While international donors like USAID have played a significant role in funding arts and culture, it’s time for the Zimbabwean government to take its rightful place in supporting the creative sector.
Art and culture are not just “nice-to-haves”—they’re essential to national identity, social cohesion, and economic growth. The government has a responsibility to create an enabling environment for artists to thrive. This includes:
- Increasing funding for the arts: Allocating more ACCESSIBLE resources to arts and culture programs, festivals, and initiatives.
- Creating supportive policies: Developing (and IMPLEMENTING) policies that protect artists’ rights, promote local content and incentivize private sector investment in the arts.
- Building infrastructure: Investing in cultural hubs, theaters, galleries, and other spaces where artists can create and showcase their work.
The USAID funding pause is a stark reminder that over-reliance on foreign donors is not sustainable. It’s time for the government to take the lead in supporting the arts.
The Bigger Picture
So, to all the artists out there: this is another moment to innovate and collaborate. And hey, if you’ve got ideas or experiences to share about how you’re adapting to this new reality, drop them in the comments. Let’s keep the conversation going—because when it comes to the arts, we’re all in this together.
What do you think about the USAID funding pause and its impact on artists? Share your thoughts below—we’d love to hear from you!
